HP and Sorcery: The Wand and The Light-Saber
This is an observation that can be made in innumerable places in the six books thus far but especially in the "Lighting Struck Tower" chapter; and it is, I think, a good rebuttal against the accusation that the Potter series is "pro-sorcery." Dumbledore on the Tower Notice that as powerful of a wizard as Dumbledore is, arguably the most powerful alive, he is powerless with out his wand. All wizards are pretty much powerless with out their wands, and when they can do things without them it is pretty much obviously not a good thing - such as young Tom Riddle's actions taken in torturing other kids, and even when Harry accidentally frees the snake in book 1, this is dangerous, not just to those around him but to himself, in that he might follow a path of wandless magic.) The wand is a symbol of the fact that magical power comes from beyond the user and is tied to a tradition of symbols and objects with which the user had been endowed from without himself/herself. Star Wars I can clarify what I mean by this best if I draw a comparison with the Star Wars world. The examples will be drawn from Return of the Jedi and Revenge of the Sith. The clearest example is in Return of the Jedi when Vader hands Luke's light-saber to the emperor and the latter says, "ah, the weapon of a Jedi." He says it with such disdain it is obvious he hates the thing. He hates the symbolism of it, the Jedi's reliance on such a symbolic weapon. The Lightsaber is based on the sword just as the order of the Jedi is based on the medieval orders of nights and chivalry. And in medieval Catholic Europe, the sword was based on the cross and Christ was the power behind all powers (recall some of the conversation Pauli and I have had on the Ring and Sword in Tolkien and the Sword and the Snake in Rowling.) A Sith is truly a sorceror. A Sith will use the lightsaber (red-bladed of course) when it suits him or her, but what really floats their boat and, for them, demonstrates their true identity is force control directly over objects and the elements completely unmediated by any such symbolic weapon. Notice that in Return of the Jedi Palpatine never uses a lightsaber; he uses only "force lightning". A really good example with several layers of meaning is found in Revenge of the Sith. When Palpatine is hurling down senate pods at Yoda this is obviously a highly symbolic icon for what he has been doing all along - using the senate as a weapon against the Jedi. But it is also his "truly Sith moment" - no more fighting the Jedi master on his own terms, with his choice of symbolic weapons. Now is the moment to show the true power of a Sith lord - direct control of the things around him. No symbols, simply sorcery. The wand in the Harry Potter books functions in much the same manner. It is the symbol of the fact that a wizard's power flows not from his own being - although it can be honed and refined to be more effective through his own efforts, and Dumbledore is definitely a paragon example of the right way to go about this. The power flows through the connection the wand gives him to something transcendent from himself. |
Comments on "HP and Sorcery: The Wand and The Light-Saber"
Great post, Merlin. Maybe you can tie in some more interesting Jedi/Sith parallels, esp. the "towering technology" stuff which you've shared with me before - I was thinking it might be significant that the death of Dumbledore occurs on top of a tower. Shades of Orthanc!
Shades of Orthanc but also shades of The mountain top of the Misty Mountains, from which Gandalf "throws his enemy down" ... the teme of "towering heights" (as sort of a broadening of "Towering Technology") is a rich ground too.
There is also stuff about "divination" and Rowling's outlook on it tied up in the tower image, much like the emphasis placed on the "blindness" of the Jedi council in the SW prequels.
I'll write one tying all that together as well as another one I have planned to right where Luca's films as stories are more in contrast to Rowling's work. I have been vascillating for a while on attempting to write that one because it involves my "shift in literary theory" ... from a definition of narrative as "a chronology of chairotic moments" to a new definition of it as "a chairotic Crhonology" ... it's gonna take me a little to work out a nice succinct, readable post taht explains the Greek terms, their meaining and how it plays into HP and Star Wars (that sort of thing has to be done well, keeping in mind "advocate for reader", or it is terrible, so I wanna take some time and do it right)
All that after I take the test next week ... but there may be a post or two in the meantime
I recently got emailed back to me an essay I wrote on U2's song Vertigo ( I though I had lost it in a HD crash but a friend was abel to email it to me b/c I had emailed it to him)
It has a lot to do with "Towering Technology" and "Towering Heights" ... the whole concept of "Vertigo."
So some of that will have to go into it.
The "tower as literary symbol" theme could and probably has inspired reams worth of analysis. You would obviously start with the tower of Babel. It seems like towers are always associated with a temptation - a thirst for knowledge slowly turning into a lust for power. Those who spend all their time in "ivory towers" seem to undergo a slow corruption. In a natural sense the downfall can be predicted while ascending the tower; i.e., at some point there's no direction to go but down.