Hargid as the Rubedo
Here is yet another new random Merlin Post, this time brought to you by the society of "Merlin needs something constructive to do while his scanner takes interminably long to scan selected pages from a Jon Levenson book to put up in PDF format on electronic reserves for the course he is teaching this fall" This post sprung into my mind from something I was saying in the last one, on Gryffindor and Slytherin, and has to do with another John - not Levenson, but Granger - and alchemy in the Harry Potter series. Here particularly I am talking about Granger's notes on the last 3 books as conforming to the 3-stage description of the alchemy process: Black, White, Red. In Book 5 Black dies and in Book 6 Albus (white) dies. He wrote this before book 7 hit the stands and I was terribly afraid Hagrid was going to bite it in the final installment. Fortunately the big guy did not exit stage left in book 7, because I really like him. But then the question comes up: When the first 2 of the 3-stage series had characters with specific names tied to the respective stage and had something decisive happen to them (dying - to be more precise), and there is a character with a taylor-made name for the 3rd alchemy stage (Rubeus Hagrid = Rubedo/Red stage) ... but he does not have as decisive of an event - to the extent that you could say he does not even have an "event" in the same way as the other two - what does that mean for the use of that structure for the last 3 books? Well, I don't think the imbalance among the stages can be totally resolved (although, admittedly, I have not read what John Granger has on the 7th book as the Rubedo stage, and he is usually pretty insightful, so maybe he has), but I think things like that just sort of happen when a series is being composed over that long a span of time. BUT, in writing that last post some things sort of stuck out to me about Hagrid that may make him very siginificant as a characterization and as a symbol in the 7th book and the series. As I sort of connected (more free association than really planned), Hagrid is the one who brings Harry to Hogwarts for the first time in book 1, leading the boats, and Hagrid is the one who brings his body (as he believes it to be only his body) back to the castle in book 7. But the actual physical entrance to the castle is not the only "first time" Hargid represents for Harry. In a sense Hagrid is Harry's whole entrance into the magical world. It all begins with Hagrid knocking the door in at the hut on the rock in the sea (and notice, this is specifically mentioned in book 7 when Harry is talking to the Dursleys to convince them to take the Order's protection: he says something about "and if you remember what happened the last time you tried to outrun wizards, I think you'll agree you need help" - and then JKR specifically notes a silence in which you could almost hear faint echoes of Hagrid pounding on the door). Hagrid is also with Harry the first time he visits Diagon Alley. In fact, Hagrid is the one who gives Hedwig to Harry ... and Hagrid who is there when Hedwig dies in book 7. I believe it is John Granger who noted (in his first book) that St Hedwig is the patron of orphans. There is a sort of "openings and closings" thing with Hagrid in these scenes - an opening and closing of his life at Hogwarts; the orphan years gaurded over by Hedwig; the era of being one of "the abandonded boys" for whom Hogwarts WAS home (cf Deathly Hallows, Harry's thoughts as he leaves the castle for the woods the final time - that he wished he could go home, but this was the first and best home he ever had, him and Voldemort and Snape, the abandoned boys). After this Harry will build a new home with Ginny. But here Hagrid is with Harry at the ending of this stage, carrying his body to the castle, pairing with his stament in the Leaky Cauldron in Book 1: "Everyone starts at the beginning at Hogwarts." |
Comments on "Hargid as the Rubedo"
Merlin, the red death in the Rubedo is F-red Weasley.
John